Luthier
Ricardo Perez
Welcome to Luthier Ricardo Perez's string instrument workshop, where I offer a range of services to meet all your musical needs. From sales and repairs to restoration and craftsmanship, I am dedicated to providing top-quality service for your string instruments. Whether you're looking to purchase a new instrument, need repairs or adjustments, or want to restore a beloved piece to life again, I am at your service. Make an appointment with me today to experience the passion and expertise I bring to every aspect of my work.
Bio
In 1987, Ricardo began building guitars and making some repairs on various string instruments under the guidance of Antonio Carriedo, with whom he started his first violin in 1990. Later that year, he moved to Italy, where, with the advice of maestro Ernesto Vaia, he finished that violin in December of the same year. Since that day, 30 plus years ago, he has built violins, violas, cellos, and basses without interruption until today.
In the early 90s, he attended the workshop of Master Luthier Loeiz Honoré in Cremona while also training as a bowmaker under the direction of Masters Giovanni Lucchi, Emilio Slaviero, and Fiorenza Manfredini in the Lombard Region. In 1992, he enrolled at the Parma Violin Making School and continued to deepen his studies with renowned master Luthier Renato Scrollavezza. The instruments he built between 1990 and 1995 while in Italy are currently played by professional musicians in Italy, France, Germany, Switzerland, Belgium, and Japan.
In 1995, Ricardo and Anne-Sylvie Raynaud (currently owner of "Le Violon Rouge Atelier" in New Zealand) opened the Pérez & Raynaud workshop in Morelia, Mexico, where they built professional-level instruments with high-quality woods, materials, and accessories, in addition to providing repair, conservation, restoration and maintenance services for instruments and bows. They served music schools, conservatories, orchestras, and professional musicians throughout Mexico.
Ricardo has also given workshops and participated in numerous exhibitions and festivals, such as Musicora in Paris and Instrumenta in Mexico, among others.
In 2014, he moved to Seattle and opened Luthier Ricardo Pérez in Renton, WA. At the same time, he worked at Henry Bischofberger Violins. He is currently the head restorer at Applebaum Violin Shop.
He has built over 120 instruments for many professional musicians, including violins, violas, cellos, and double basses. He has also had the pleasure of maintaining and restoring numerous instruments of great historical and artistic value, following the highest criteria learned from his teachers and developed through several years of professional practice.
Handmade String Instruments
Welcome to my world of handcrafted string instruments, where tradition meets artistry. Each violin, viola, cello, and contrabass I create is a unique masterpiece, meticulously crafted to bring out the finest sound and aesthetic quality.
Craftsmanship Rooted in Tradition
I take great care in selecting the finest materials, choosing only the best-aged spruce for the front and premium maple wood for the back of each instrument. These woods are carefully rested and aged to ensure they provide the best tonal qualities and durability.
Masterful Designs
Every instrument is based on the models of master makers, capturing the essence of time-honored designs. The mold for each violin, viola, cello, and contrabass is crafted with precision, ensuring that the final product not only looks beautiful but also resonates with the rich, warm tones that define exceptional string instruments.
A Labor of Love
Crafting a string instrument is more than just a process—it's a labor of love. It requires immense effort, patience, and persistence. From shaping the wood to the final varnish, every step is taken with meticulous attention to detail, ensuring that each instrument meets the highest standards of quality.
Whether you're a professional musician or an avid enthusiast, my instruments are designed to inspire and elevate your performance. Explore the art of handcrafted string instruments, where tradition and passion come together to create something truly extraordinary.
His works
Restoration
Each repair and restoration is unique. I offer free estimates for any repair before I start work.
I specialize in restoring old string instruments to their former splendor. Clients entrust me with their beloved instruments, often in disrepair, and I take great care to revive them to their full potential. Through meticulous craftsmanship and attention to detail, I bring these instruments back to life, ensuring they are playable and ready to be enjoyed for years to come. My goal is to provide a second life for these instruments so they can continue to bring joy to their owners for a lifetime.
Rehair & Repair Bows
I understand that your bow is more than just a tool—it’s an essential part of your musical expression. While many of my clients initially come to me for a rehair, I take the opportunity to ensure that every aspect of your bow is in optimal condition. My goal is not only to restore the bow hair but also to address any underlying issues that could affect your sound quality and playability.
Rehair:
Violin/Viola $ 85
Cello $90
Contrabass $110
Repair:
Free estimates. Price may vary depending on the condition.
Get in Touch
Free estimate for repairs
Hours: By Appointment Only
Email Address
lauderiax@yahoo.com.mx
Phone Number
206-551-6658
Studio Address
528 Newport Ave. SE
Renton, WA 98058
Reviews
Giulio
Creating a cello from scratch was a labor of passion and dedication. I carefully studied Giulio Degani's techniques and craftsmanship, immersing myself in the art of lutherie to understand the intricacies of creating a truly exceptional instrument.
Starting with the finest quality woods, I handcrafted each piece of the cello with precision and care. From shaping the ribs and back to carving the scroll and neck, every detail was meticulously crafted to honor the legacy of Degani's work while also infusing my own creativity and style.
The varnishing process was a work of art in itself, as I carefully applied layer upon layer of varnish to bring out the natural beauty of the wood and enhance the resonance of the instrument. Each stroke of the brush was a deliberate choice, aiming to create a finish that would not only protect the cello but also add to its visual appeal.